Selected Theatre Writing
Michael Mohammed Ahmad Brings His Anti-Racist Work to the Sydney Opera House and OzAsia Festival with The Demon
Interview with Michael Mohammed Ahmad and Rachael Swain about The Demon for ABC Arts, 15/10/2022
Anne-Louise Sarks Puts Women Centrestage in Her First Melbourne Theatre Company Season as Artistic Director
Interview with Anne-Louise Sarks for ABC Arts, 15/9/2022
Australian Theatre Makers Such as Perth's The Last Great Hunt Are Blending Theatre and Cinema to Make Inventive New Work
Feature for ABC Arts, 28/8/2022
Sydney Theatre Company and Griffin Theatre Company Reshape Australian Theatre with Works by Asian Australian Women
Feature for ABC Arts, 23/6/2022
Glace Chase Writes Trans Love onto Australian Theatre's Main Stage with Triple X at Sydney Theatre Company
Interview with Glace Chase about Triple X for ABC Arts, 21/1/2022
Trent Dalton’s Boy Swallows Universe Premieres at Queensland Theatre as Part of Brisbane Festival
Interview with Trent Dalton, Tim McGarry and Sam Strong about Boy Swallows Universe for ABC Arts, 1/9/2021
Prima Facie Opening at Queensland Theatre Puts Sexual Assault Law and Survivors’ Experience Centrestage Again
Interview with Sheridan Harbridge and Suzie Miller about Prima Facie for ABC Arts, 14/7/2021
The Wickedly Dark Comedy that Lured Yael Stone Back to the Sydney Theatre Stage
Interview with Yael Stone and Paige Rattray about The Beauty Queen of Leenane for The Music, 16/11/2019
Bryony Kimmings on Turning Taboo Life Experiences Into Performance Art
Interview with Bryony Kimmings about I’m a Phoenix, Bitch for The Music, 9/9/2019
How Writer Yve Blake Turned Directioners Into the Subjects of Theatre with a Capital T
Interview with Yve Blake about Fangirls for The Music, 3/9/2019
Director Adena Jacobs on the Modern Horror of Shakespeare’s Titus Andronicus
Interview with Adena Jacobs about Titus Andronicus for The Music, 24/8/2019
Gagging for It: Actress Eliza Scanlen on What Makes Her Laugh: Irony, Toilet Humour and Her Dad
Interview with Eliza Scanlen for The Music, 30/7/2019
Malthouse’s My Dearworthy Darling Interrogates Who We Allow to Speak in Public
Interview with Alison Croggon and Emma Valente about My Dearworthy Darling for The Music, 29/7/2019
Not Letting Abhorrent Men Off the Hook: Okenyo on Much Ado About Nothing
Interview with Zindzi Okenyo about Much Ado About Nothing for The Music, 15/7/2019
Gagging for It: Keegan Joyce Finds Humour in Other People’s Misfortune – and, of Course, His Own
Interview with Keegan Joyce for The Music, 12/7/2019
Gagging for It: People Are Funny and Vulnerable and Messy and a Bit Shit': Kat Stewart Finds Humour in Truth
Interview with Kat Stewart for The Music, 28/6/2019
How Meyne Wyatt Processed His Grief at the Loss of His Father by Writing City of Gold
Interview with Meyne Wyatt about City of Gold for The Music, 27/6/2019
Has Australia Really Changed Since Wake in Fright Was First Published in 1961?
Interview with Declan Greene and Zahra Newman about Wake in Fright for The Music, 20/6/2019
Chris Ryan on the Daunting Task of Starring in David Bowie’s Lazarus
Interview with Chris Ryan about Lazarus for The Music, 17/5/2019
Issues that Are Not on Australian Stages Enough
Interview with Kate Skinner about Low Level Panic for The Music, 6/7/2016
Aiming to Have the Audience Clutching Their Bellies with Laughter
Interview with Kate Mulvany about The Literati for The Music, 26/5/2016
How Two Years Ages a Play Like a Fine Wine
Interview with Toby Schmitz about Howie the Rookie for The Music, 13/5/2016
On The Glass Menagerie as a Queer and Autobiographical Text
Interview with Luke Mullins about The Glass Menagerie for The Music, 6/5/2016
The History Boys
Review for ArtsHub, 15/2/2013